We've all seen it: mismatched subject and background lighting, dancing edge pixels, and color spill; some of the hallmarks of a bad green screen composite. There are multiple factors to consider for a chroma key shot in preproduction, on set, and in post, and in the following videos Richard Harrington will take you through those factors and show you how to pull a good key and produce a believable composite.
Posted: 9 years, 3 month(s) ago
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